About


I am a Chinese artist currently living and studying in London.My practice explores the subtle tensions and delicate equilibriums between natural elements and urban constructions. I am drawn to the relationships between materials such as stones, water, and wind, and human-made structures like scaffolding, screws, and fences—not to the objects themselves, but to the gaps and transitional spaces that arise between them. These spaces, which I refer to as “whispering gaps,” are neither full nor empty; they are sites where light drifts, gravity hesitates, and time momentarily pauses. They embody a faint but persistent sense of "nothingness" that remains palpable within the texture of the everyday. 

My creative process is rooted in the psychogeographical method of dérive—drifting without destination through urban and natural landscapes. This wandering allows me to collect fragments that have been severed from their prescribed functions: remnants of construction sites, plants sprouting through concrete, forgotten scaffolding parts. By reassembling these materials, I seek to reveal the hidden dialogues between structure and void, mass and suspension.
In my sculptural works, a gap is not simply a negative space; it is a phenomenological projection, a physical manifestation of forces such as wind, gravity, and material tension. I often amplify these gaps, making them the very framework of the work—thus creating structures that are simultaneously skeletal and present, tangible and evaporating. 
Materials like enamel, ceramic, rice paper, and silk thread—chosen for their capacity to catch, refract, or soften light—play a crucial role. Environmental forces such as wind and subtle shifts in weight further animate the work, introducing a soft, meditative movement. In a world increasingly dominated by speed, efficiency, and disconnection, my work embraces slowness, wandering, and the practice of "doing nothing" as forms of quiet resistance. 
Through ephemeral sculptural installations and drawing-based mappings, I invite viewers to experience a moment of pause—to sense how built environments and natural forces coalesce, dissolve, and mirror our own shifting perceptions of existence.




Picture-A rather favourable storm I.


Education Background


University of the Arts London


Fine Art Sculpture (BA)                                              
Sep. 2022-Jun. 2025

Level 3 Foundation Diploma In Art and Design  

Sep. 2020-Jun. 2021